Overa Umitate-Fullbringer [APPROVED]

by Diaveras Wed May 09, 2012 9:57 pm

F U L L B R I N G E R
Overa Desmerelda Umitate
CODENAME

B A S I C S //

Laying down the bricks //

ABILITIES //
Proof of who I am //

• Fullbring Item | A wire less mircrophone
• Fullbring Ability | Abilities revolve around using her voice and her fullbring's released form.
• Fullbring Released form | When released the microphone changes to a serires of reiryoku shapes, a feint circle in front of her with two curved sheets of reiryoku on either side of it. Reiryoku panels also appear around her to take the role of speakers. A disc of reiryoku appears beneath her feet and lifts her off the ground, she can move this "stage" around freely to carry her virtually anywhere.

APPEARANCE //
Further than just the skin //

• Height | 5'7"
• Weight | 120
• Hair color & Style | Pink
• Eye color | Blue
• Overall Appearance |
Overa has pink hair drawn into two small ponytails at either side of her head, all reaching down to her shoulders. She has eyes of a light blue color, though this is when they are in light in less lighted areas they look dark.
Overa Umitate-Fullbringer [APPROVED] 2r5cmzr

Overa Umitate-Fullbringer [APPROVED] 2r5cmzr

PERSONALITY //
Understand the invisible //

• Positive Traits |

Optimistic, despite everything she was put through she still tries to hang on by looking positively on things, always telling herself she has a chance of being free from Vermina.
Social, whenever not around Vermina she can easily talk to people and try to make friends, unfortunately this is just her way of callnig for help. She can't tel lanyone anything directly and she has a set of signs that she unconsciously uses as pleads for help, signals to be saved. But they are so subtle no one notices them.
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Due to the mental conditioning she went through there is hardly anything left in her that can be considered a positive trait

• Negative Traits |

Unconsciously loyal to people who demand things of her, the mental subjugation she went through has left her feeling as low as the dirt under people's feet. That she is among the bottom of society and that anyone has the right to tell her what she should be doing.
Reserved, she can't tell people how she is feeling. Her heart feels there is no one who cares for what she feels, for what she thinks. And thus she holds everything in
Frailty, she is easily broekn apart. She can't fight for herself any more. She doesn't have the strength to do it. She has little will power with which to resist others with. If she is told she is wrong, she is wrong. If she is told she has failed, then she believes it. If she is told she is to be punished, even without reason, she'll tell herself she deserves it.

• Habits |

use of the term Inu-tan for any dog she finds cute.
She has no other habits, she was not able to develop any.

• Fears | captivity, the CEO of Vermina, isolation. The executives and officers of Vermina
• Goals | To escape her captivity under Vermina. All she wants is freedom
• Overall Personality |
-The Idol-
When in her Satea Ercot Persona, Overa has a very high spirit and an optimistic attitude. She is always smiling and appears happy, she's quite caring as she will often dedicate songs to events like earthquakes in order to raise awareness of the events and draw in support towards them. This is her way of contributing to the world. As a means of keeping her real identity secret she ensures that she has a different hair style and color every few performances, this has been effective as she avoids being seen in public in her persona. She'll also use different words in her speech in order to further dissociate her persona from her real self, for example in her persona she will use grandpa instead of Ojii-san.

-The girl-
As herself she acts quite different, she isn't as high spirited but she is not pessimistic. Overa is able to display the full range of emotions from sad to happy quite easily in comparison to Satea Ercot. She enjoys some of the more mild and quiet things as herself, again in contrast to her persona who she sometimes has to be for a long time in certain events. Luckily she avoids them when possible so she can live normally. She goes by stores and has a group of friends completely oblivious to her persona, people who are simply mild fans of her persona and wouldn't lose their minds if they ever found out about it. The only thing that stays the same between the two versions of her is a small thing she says. Whenever she sees a cute dog as either herself or Satea she will always refer to it as Inu-tan. This is something that she doesn't watch at all and doesn't actually realize she does. She still enjoys singing but avoids notes she commonly uses as Satea Ercot, avoiding any chance of seeming like her, even willing to purposely make mistakes in order to make her seem merely good at singing but not great at it.

-The slave-
Whenever within the building or presence of Vermina Overa shows the face that she hides behind the mask of Satea Ercot. The broken and helpless subject to Vermina. She loses any sign of life in her eyes and her gaze rarely rises from the ground. It was hard to maintain this much after all that the CEO of Vermina has put her through. Mental torture and conditioning involving being forced to experience nightmare after nightmare every day of her life and having parts of her memory erased so that she wouldn't have anything to hold on to to keep her strong. Inside the Tokinawa Building she acts lifeless, and never says anything against anyone. Agreeing with everything and doing everything she is told to do, giving responses in a lifeless voice and never making eye contact with anyone around her. There are words that can summarize this side of her, enslaved, dead inside, lifeless.... subjugated. The last one being the most accurate. Whenever inside the Tokinawa corporation building if there is nothing she is needed for, she will instinctively make her way to her room and allow herself to be locked inside where she will lay down and rest until next she is needed for something. There used to be times she would try and open the door from the inside, there were times she would run when the door was opened but those times are long forgotten.

HISTORY //
Tell me a tale... //

• Birthplace | She has forgotten where she was born. The memory of it was forcefully erased from her mind by the CEO of Vermina as a punishment.
• Mother | Lominera Umitate (deceased)
• Father | Vengin Umitate (Deceased)
• Siblings | None she is aware of
• Other Relations | Sora Hayashi (acting guardian)
• Companion | None (unless the above person counts)
• Overall history |

-An average life for an abnormal being-

Overa began to get into singing at the age of five, she enjoyed it as it seemed to make her parents happy. She practiced it as often as she could sometimes even singing in the middle of class to herself. At tiems she couldn't help but sing out loud and actually bothered her teachers with it. Still she wouldn't stop no matter what as it was becoming something she enjoyed just because it was fun. By the age of eight she was practicing the Ode to Joy, though of course it took a long time to sing such a song. Still the song became her main focus when practicing and she managed to hit notes that were normally hard to hit in general. This seemed to impress the people around her, prompting her to continue practicing other songs that were more difficult.

-The average life is lost-

Overa stopped singing when her mother died, a supposed attack on a building that caused it to collapse with her inside at the time. In truth this was a hollow attacking her mother for the second time, the first being before Overa was even born. Overa was devastated, she tried to convince people a monster had attacked when she saw the hollow on the news coverage of the event but no one believed her. No one could see the hollow from the footage, thus no one ever learned the truth and Overa herself was convinced she was merely seeing things.

-The down fall of an abnormal human-

Ever since her mother died Overa didn't sing very often, only doing it at times to comfort herself by singing the Ode to Joy as a method of distraction. Her father and her friends all noticed this sudden change as she seemed a lot mroe gloomy at school after having gone to her mother's funeral. She wasn't the most talkative anymore and she would refuse to sing when she was asked by friends. For a while she was a mostly silent person. Her father wasn't able to watch it go on, though, and before long they had a long talk. At first Overas wasn't listening to him, ignoring everything, but eventually he got through and she was ready to begin healing.

-Rebuilding the average life-

Overa started singing again after getting through her grief, she sang to keep herself happy at irst but as time passed and she moved on she was able to return to her old self once again. She returned to singing by the time she was fourteen and took part in choir at school all through to age sixteen when she was scouted by the Tokinawa corporation.

-An abnormal life for an abnormal being-

Over the next two years she became a popular artist thanks to the Tokinawa corporation publishing her music with their mass of funding allowing wide publicity. Her music has become known in even the nerby international industries, she has become a national idol and taken on the persona and stage name of Satea Ercot in order to keep herself from being charged by fans on the streets.

-Tokinawa (Vermina)-
As much as they appear as a harmless medical company, Overa is currently a captive of the Tokinawa Corporation, a false image for a group named Vermina. This group sought her ought when she accidentally caused an incident using her fullbring that summoned a horde of hollows to her position and resulted in the death of seventy-three humans of both spiritual awareness and ignorance. This ability she accidentally discovered is one of the two reasons she was taken by them. So that they can tip the flow of souls to cause disturbances that will forward thier goals. And to use her occupation as an idol to create large income for the group. She is miserable with her life, having had almost none of what one might call freedom. She was forced to live in the main acting headquarters of the group and given a single small room to live in that can't be unlocked from the inside. She has never been allowed to leave the building of her own accord she has had to find ways to escape the building for at least a short time. These brief moments of escape are the only thing she has had and are the only reason she still manages to prevent herself from spiraling into a state of emotional turmoil. She is desperate to get away for any amount of time she can, to feel like her life is her own. Escaping after concerts, being the only chances she gets to be away from the heavy security she is put under. At first her escapes were punished by the CEO directly by putting her through "mental conditioning" forcing her to accept her position.

This consisted of mental torture, hallucinations and fabricated feelings of pains. Artificial nightmares produced for her while she slept. Sometimes the CEO would go as far as hypnosis to condition her subconscious to be susceptible to the influence of his fullbring so that when needed he could control her fullbring himself and force her to use her powers. Eventually her behavior became mild only so she didn't have to suffer so much. The most prominent thing she was glad to have back was the ability to dream on her own rather than have nightmares that were forced into her head every night of her life, and being unable to wake up from them until the CEO allowed her to awake. She's been trapped on her breaking point, ready to just give in completely and become an empty husk of a human that simply does whatever she is told. Being forced to put on a fake smile in front of large crowds of people.